Bellefonte
Historical and Cultural Association
Bellefonte, Pennsylvania
July 2000 Show
Gallery at The Gamble Mill
BHCA
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The Bellefonte Historical & Cultural Association (BHCA)
Gallery at The Gamble Mill
presents
ANNA VASERSTEIN: A RETROSPECTIVE
Funded in part by
The Borough of Bellefonte
&
The Pennsylvania Council on the Arts
July 29 – September 16, 2000
Opening and Reception, August 1
1. The Wedding (acrylic on paper) 1991 $750
2. The Model (Caran d'Ache Neocolor crayon® on paper) 1990 $300
3. Arabella (pastel on paper) 1992 $300
4. Mountains, Vermont (acrylic on paper) 1996 $300
5. Woman with Pink Face (pastel on paper) 1988 $300
6. The Reception (acrylic on paper) 1993 $300
7. The Factory (acrylic & magic marker on pen) 1989 $450
8. San Francisco Red (acrylic on paper) 1993 $1200
9. Sitting Figure (pastel on paper) 1991 $210
10. Study #7 (acrylic on paper) 1993 $900
11. Sunflowers (acrylic on paper) 1997 $900
12. Koza-Deriza (acrylic on paper) 1997 $900
13. Jack (magic marker on paper) 1989 NFS
14. The Future (acrylic on paper) 1997 NFS
15. Cat (pen on paper) 1991 $300
16. Mother and Child #1 (acrylic on paper) 2000 $900
17. Matthew & Cat (acrylic on paper) 1999 NFS
18. Mother and Child #2 (acrylic on paper) 2000 $900
19. Dracula (pastel & pen on paper) 1992 $210
20. Cyborg (pen on paper) 1987 $300
21. Harp (acrylic on paper) 1997 $900
22. Green Change (acrylic on paper) 1996 $900
23. Alone (acrylic on paper) 1991 $900
24. The Nude (acrylic on paper)
1996 $900
ANNA VASERSTEIN was born in Moscow in 1971. She moved with her family to State College in 1980, and graduated from State College High School in 1989. She received her bachelor of arts degree from St. John's College in Annapolis, MD in 1993 and graduated from the Vermont Law School in 1996 with a doctor of jurisprudence. Vaserstein is currently working for the state government of Vermont.
Anna Vaserstein uses vibrant colors to render her surreal human figures and scenery, a technique that makes her paintings both dramatic and highly evocative. Her work is closest in style to the school of German expressionism, which sought to convey the subjective emotions of the artist rather than to portray objective reality.